One thing I just love to do when I'm working with an idea is to switch the character’s sexes.
If my first impulse is to make a character a man I halt and consider “why a man?” I do the same with female characters.
If my first impulse to make “the director” a man is because male directors are more common, he turns into a she.
It is soooo easy to assume male and female parts. Men do this and women that. Why enhance this by writing scripts that embrace this illusion? See this blog entry.
Alright, I might get a woman behaving like a bulldozer – which is far less accepted than a male bulldozer – but I prefer that before having all women behaving as expected (which almost always have something to do with looks and beauty).
Daily Dialogue — June 20, 2013
2 hours ago

2 comments:
Two days ago I did this on a script of my own. I just changed the name and nothing more.
Great to hear! From cliché to original in a fraction of a second :-)
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